Headhunters[ edit ] In the s, at the same time that jazz musicians began to explore blending jazz with rock to create jazz fusionmajor jazz performers began to experiment with funk. Jazz-funk recordings typically used electric bass and electric piano in the rhythm section, in place of the double bass and acoustic piano that were typically used in jazz up till that point. Pianist and bandleader Herbie Hancock was the first of many big jazz artists who embraced funk during the decade.
Headhunters[ edit ] In the s, at the same time that jazz musicians began to explore blending jazz with rock to create jazz fusionmajor jazz performers began to experiment with funk. Jazz-funk recordings typically used electric bass and electric piano in the rhythm section, in place of the double bass and acoustic piano that were typically used in jazz up till that point.
Pianist and bandleader Herbie Hancock was the first of many big jazz artists who embraced funk during the decade. Hancock's Headhunters band played the jazz-funk style. The Headhunters' lineup and instrumentation, retaining only wind player Bennie Maupin from Hancock's previous sextet, reflected his new musical direction.
He used percussionist Bill Summers in addition to a drummer. On the Corner[ edit ] On the Corner was jazz trumpeter-composer Miles Davis 's seminal foray into jazz-funk.
Like his previous works though, On the Corner was experimental. Davis stated that On the Corner was an attempt at reconnecting with the young black audience which had largely forsaken jazz for rock and funk.
While there is a discernible funk influence in the timbres of the instruments employed, other tonal and rhythmic textures, such as the Indian tambora and tablas, and Cuban congas and bongos, create a multi-layered soundscape.
Both sides of the record featured heavy funk drum and bass grooves, with the melodic parts snipped from hours of jams and mixed in the studio.
Also cited as musical influences on the album by Davis were the contemporary composer Karlheinz Stockhausen. Electro music In the s, largely as a reaction against what was seen as the over-indulgence of discomany of the core elements that formed the foundation of the P-Funk formula began to be usurped by electronic instrumentsdrum machines and synthesizers.
Horn sections of saxophones and trumpets were replaced by synth keyboardsand the horns that remained were given simplified lines, and few horn solos were given to soloists. Electronic drum machines such as the Roland TR began to replace the " funky drummers " of the past, and the slap and pop style of bass playing were often replaced by synth keyboard bass lines.
Lyrics of funk songs began to change from suggestive double entendres to more graphic and sexually explicit content. In the late s, the electronic music band Yellow Magic Orchestra YMO began experimenting with electronic funk music, introducing " videogame -funk" sounds with hits such as " Computer Game "which had a strong influence on the later electro-funk genre.
His album Street Songswith the singles "Give It to Me Baby" and " Super Freak ", resulted in James becoming a star, and paved the way for the future direction of explicitness in funk. Prince was an influential multi-instrumentalist, bandleader, singer and songwriter.
Documentary traces the origins of funk music. copied! If soul music was born of gospel, jazz and the blues, then was hip-hop fathered by funk? Nelson George, director of VH1’s “Finding the. The disco music of the late s evolved from the rhythmic and social foundation of funk. In the s the sexually expressive aspects of funk were popularized through the works of Rick James and Prince, while the funk beat became the primary rhythm in black popular music. Characteristics of Funk Music By Melissa Cooper ; Updated September 15, Origins. Funk music sprang to life in the late s, based on the syncopation heavily embedded in the music of the late James Brown. Funk grew into its own in the s and continues to find a strong place in music .
Beginning in the late s, Prince used a stripped-down, dynamic instrumentation similar to James. However, Prince went on to have as much of an impact on the sound of funk as any one artist since Brown; he combined eroticism, technology, an increasing musical complexity, and an outrageous image and stage show to ultimately create music as ambitious and imaginative as P-Funk.
Eventually, the band went on to define their own style of stripped-down funk based on tight musicianship and sexual themes. Similar to Prince, other bands emerged during the P-Funk era and began to incorporate uninhibited sexuality, dance-oriented themes, synthesizers and other electronic technologies to continue to craft funk hits.
By the latter half of the 80s, pure funk had lost its commercial impact; however, pop artists from Michael Jackson to Duran Duran often used funk beats.The origin of music itself is very difficult to determine because in all probability, it is likely to have begun with singing and clapping or beating the hands on different surfaces, for which there is no of course no archaeological record.
Read this Music and Movies Research Paper and over 89, other research documents. Origins of Funk Music. In the s it was a hard time for black Americans. There was a /5(1). The origins of Celtic music, the historical events, and the style of Celtic music are the key factors that led to the creation of Celtic music.
The origins of Celtic music and the instruments used in order to create such healthily flamboyant music. 1: music that combines elements of rhythm and blues and soul music and that is characterized by a percussive vocal style, static harmonies, and a strong bass line with heavy downbeats 2: the quality or state of being funky jeans have lost much of their funk —Tom Wolfe.
THE ORIGINS OF FUNK. Funk, rhythm-driven musical genre popular in the s and early s that linked soul to later African-American musical styles. Board of Directors and advisers of The Funk Music Hall of Fame & Exhibition Center.
Hip hop music, also called hip-hop or rap music, is a music genre developed in the United States by inner-city African Americans in the s which consists of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted.